In the eighth century, three hagiographies was written and translated and summarized by Mahmood Ibn Osman about two well-known Fars mystics who have lived in the fifth and eleventh century. The Mystics name were "sheikh Abou Ishaq Kazerouni" and "Amin Aldin Balayani". Because these hagiographies "Firdous Almorshedieh", "Anvar Almorshedieh" and " Meftah Alhedayeh "are important and unknown and there is no source, except these three books about the life of their writer, and because of special style of Mahmood Ibne Osman in writing of hagiographies, In this article it is attempted to survey the aspects of these two mystics and their hagiographies and the relationship between "Mahmood Ibne Osman" and "Abu Ishaq" and "Amin Aldin". Therefore in these essay the comparative style of writing, the usage of poems of various poets in hagiographies, common chapters and common ideas and contents and the high position of women and dignity of hagiographies are studied and discussed.

Abou Hafs Omar Ebn Ali known as Ebn Farez is one of the poets of the 6th century. He was famous in the field of poetry. Many great critics like Ebn Khallekan, the writer of Vafiyatolayan also praised him and even regarded him higher than his contemporary poets in position. In this article, we present some features of Soltan Alasheghin Ebn Farez. Ghazal and Khamriyyat are two main types of his poetry. However, his point of view in Khamriyeh is different from Abonavas and others. The reason is that Ebn Farez’s Khamriyyat is full of mystic elements. In addition, in his poetry one can find many uses of literary devices especially pun.

Sociocritical analyse of the novel Ibn Mashghalet by Nader EbrahimiSociocritical analyse has a special place among all kinds of literary attitudes. With a content based approach, this method of criticism examines the relationship between literary work and the society from which the text originated. Such an analysis of the literary work can help to understand the structures of society and its problems. It therefore highlights environmental-historical factors outside of the work and the social components reflected in it. This article attempts to study the novel of Ibn Mashghlet by Nader Ebrahimi and to reflect on the reflection that the author has made on his community, based on the sociological criticism approach of the writer, Claude Duchet. Therefore, historical elements such as themes and various social cues and traces of historical events are analyzed here using the descriptive analytical research method.Keys words: Ibn Mashghalet, Society, analyse sociocritical, Claude Duchet, Nader Ebrahimi, descriptive analyse

Literature reflects the social status of any literary and social circumstances of his life. According to the Eastern European School of Comparative Literature، Social factors play an effective role in the creation literature. If two of the same degree of social and economic progress، this would result in the emergence of many similarities in their literature. One of the most elemental aspects of the poem of Onsori، as the famous poem ode (GHASIDE) in the fourth century، and too Abbasid Ibn Moataz is the aristocratic nature and it’ s Mentioning the effects and symptoms. Undoubtedly، the conditions of life of both poet in the court and theirs the financial enable have important in the employ of aristocratic ingredients and marks. This article with descriptive-analytical way and comparing poem of Both poets and proceeding to important and seminal typical of the aristocratic nature in the poem of them demonstrate that Aristocratic and royal color imagery that based on court environment is very tangible and intangible. But the shadow of praise on the aristocratic Descriptions of Onsori is dominant But the Ebn moataz less benefited from the shadow of praise in the Descriptions of real and unreal.

Khaqani and Ebn al-Rumi are two renowned Iranian elegy composers, both of whom are sad and grief-stricken for the sake of their deceased loved ones and famous for their gift of description. They are aware of this blessing and are proud of their poetic skills. They have created many beautiful poetic images.This article reviews the imaginative images in one of their elegies: K Khaqani's elegy in memory of his son, Rashid al-Din and Ebn al-Rumi's elegy in memory of Mohammad.

Discourse or discourse analysis which is sometimes called Elm-Ol-Nas, is a Modern linguistic expression which has entered into the literature domain quickly and has applied extensively. Without any doubt, discourse is the output of transaction and communication between speakers and hearers in social and cultural texture and results from the relations of the individuals with each other in human society. Ebn Arabi and Moulavi are the wonders of mankind race whose opinions and mystical thoughts are like glittering sun shining in the sky of human education for ever. Certainly, these two great poets met each other and thought highly of one another. In the present article, some common mystical thoughts of them such as unity of existence, perfect man, Adam the father of mankind, permanent archetype, nonexistence and accident, manifestation and devil were mentioned. It is certain that till now in this field there hasn’t been any comprehensive and broad research. This article is a little attempt to show the influence these two great poets has had on each other.

Ebn Yamin Forumadi is regarded as one of the poets in the Mongol era when the social morality and mental and cultural foundations of people began to decline. Although the social-political upheavals, and fall in morality and humane values in the conquered lands in this era caused the emergence of the spirit of resignation and determinism among the populace yet among some of the proud Persian poets, and brigands rose the spirit of fighting against oppression and literary criticism began to take root. Each poet in this era, according to the existing atmosphere in the society at the time, chose certain approach to fight the moral and social meanness, social and political instabilities and injustices of the governors and their puppets. Although Ebn Yamin had praised extensively the rulers and ministers he had also criticized their actions and the social state of the society and social morality. Although his criticism in comparison with his contemporaries such as Saadi and Seif Forqani are less harsh and is ranked inferior to them, but on occasions he has criticized people from all walks of life, elites and common people alike. This article deals with the moral and social pathology in the poetry of Ebn Yamin.

The causality is a basic and living issue of philosophy and philosophers have dealt with it in details but Ebn Arabi as a mystic has no obligation to discuss this matter independently because the object of mysticism is monotheism and monotheist-i.e., perfect human being. Therefore, we must search his words and gather their consequences to write on this matter. In this article which aims at determining the Ebn Arabi’s view about acceptance or rejection of the causality, so this manner is followed. That is why we refere to his most important books i.e. Fotuhat Makkiyeh and Fosus Al-hikam and also his commentators writings such as Geisari Jami and Sharani. After gathering the statements about the causality) analyzing, classifying and extracting the rational - logical consequences of them) the finding is that Ebn Arabi rejects any kind of causality in the nature (Alame Shahadah) but he accepts the causality between God (Hag) and creature (khalg) although he calls it emanation, manifestation and determination.

Mohammad Ebn-e Mobarak Shah Ghazvini (d. 996), known as Hakim Shah, was a sage, orator, philosopher and well-practiced physician in the Ottoman court. He enjoyed the apprenticeship of great masters namely Jalaloddin Davani and Sadroddin Dashtaki. Due to his mastery of Persian, Arabic and Turkish and because of his access to ancient books, he has managed to write books on a variety of sciences. One of these books is called Javahernameh or Ma’refat al- Javaher which deals with describing the nature, attributes, types, mines, defects and preservation methods of jewels as well as some stones. Prior to the tenth century A.H., numerous other works on jewels had been compiled in the Islamic world. However, Ghazvini’s work shows some features which distinguish it from the works preceding and following it. One of these features is the variety of the jewels and stones introduced in addition to the large number of the types referred to in this book. Another feature of this book is its prose style. An investigation into the style of this book reveals that despite its author’s distance from the center of the Persian language and thanks to his poetic nature and literary taste as well as his mastery of the works of great authors in different areas of knowledge preceding him, his book is free from many lexical and syntactic errors and is also devoid of the prevalent sophistication of the time. Adopting the simplicity and brevity necessary for a scientific text, this book has well been able to communicate its message to the readers.

The causality is a basic and living issu of philosophy and philosophers have dealt with it in details but Ebn Arabi as a mystic has no obligation to discuss this matter independently because the object of mysticism is monotheism and monotheist-i.e., perfect human being. Therefore, we must search his words and gather their consequences to write on this matter. In this article which aims at determining the Ebn Arabi"s view about acceptance or rejection of the causality, so this manner is followed. That is why we refere to his most important books i.e. Fotuhat Makkiyeh and Fosus Al-hikam and also his commentators" writings such as Geisari, Jami and Sharani. After gathering the statements about the causality, analysing, classifying and extracting the rational - logical consequences of them, the finding is that Ebn Arabi rejects any kind of causality in the nature (Alame Shahadah) but he accepts the causality between God (Hag) and creature (khalg) although he calls it emanation, manifestation and determination.